My Sunday Doodles
Last Updated on Monday, 30 January 2012 07:38 Written by NancyWildWire Monday, 30 January 2012 07:37
Do you ever doodle? I do it all the time, not on paper, with stones and wire. I use my wire like a paintbrush to create my art jewelry. I consider and call myself an artist I just use a very non-tradional approach:)
I suppose like most creative people I am a bit eccentric,LOL!! I never really know what is going to happen when I work. Will I have a metal mess that ends up in my scrap bowl?
There is nothing wrong with the materials in my scrap bowl, I frequently pull bits and pieces and recycle them as part of new work. But when I throw a new creation in there I feel I failed to achieve my goal for this day.
Today I got a wonderful surprise with great potential:) I see a few places to tweak and polish before I add it to my listings but I am very pleased, what do you think? This piece is reversible,I would wear it either direction. This is a freeform piece of silky polished moonstone with a sweet peachy pink color and fabulous luster not showing in my photos. This will look great on a leather cord with one of my hand wrapped forged clasps. Watch for it to appear soon in my Handmade shop NancysWildWire
Thanks for your interest:)
Future Jewelry
Last Updated on Saturday, 26 November 2011 04:49 Written by John Atwell Rasmussen Saturday, 26 November 2011 04:49
In order to create my art, I first cut the stone that will go in the piece, then design around that. Here are two stones cut in the lapidary in the past week. The first is a piece of Lapis Lazuli about 2.5 inches long and it is very heavy. Will probably use it in a horizontal position in a necklace. Way too large for a ring.
The second is a free form cabochon made with “Pudding” jasper. Feel free to change the adjective ‘dding’ to anything that you think describes the stone.
I will wait, but am currently working on a mixed metal pendant (gold and silver) with a highly included rutilated quartz *16 mm round faceted stone. Another project is a ring to ask Debbie to marry me “again” next October on our anniversary. A friend is cutting this as I certainly can not do it in my shop. Any way, that is the news so far for the day after Thanksgiving.
John
Why I Knot Between the Beads
Last Updated on Sunday, 3 July 2011 07:47 Written by beadbear Wednesday, 6 July 2011 07:40
Knotting between the beads is important for a variety of reasons. Bead stringing, properly speaking, is a form of rigging. Where a knot is placed, it strengthens the cord three-fold. Consequently, if cord with a tensile strength of 17lbs. The cord is strengthened to 51lbs.10lb-test becomes 30lbs, etc. Thus, it secures the beads. This is especially true when a variety of different sized beads and materials are used. If the cord breaks, there is only one or two beads to pick up off the floor. Losing precious metal beads, or gemstones, can make it costly to repair.
I use a variety of different stringing material as well. I use anything that will take a knot. Generally, I will use silk, or linen. These are natural fibers, and are quite sturdy and durable. Cotton is too weak. I also use braided kevlar, of varying thicknesses. Kevlar is used in bullet-proof vests, as well as the suits astronauts wear. I often use kevlar with beads that have rough holes.
I never use tiger-tail, or any of the coated wires that many others use. Wire eventually will cut the beads, particularly pearls and opals, which are quite soft. Furthermore, when metal fatigue sets in, which it will, sooner or later that wire will kink. That kink will not only weaken it, but will cause the necklace to not to wear properly. Wire is just too stiff for necklaces and bracelets, in my opinion.
Second and more important, a knotted necklace will lay better against the body. Indeed, knotted necklaces will conform to the body of the wearer. Thus it actually becomes a part of the wearer. And you will wear the jewelry, rather than the other way ’round. So there is no “Afghan hound” effect. That is particularly vital when wearing a large piece.
Yes, it takes longer to assemble a knotted necklace. I knot each bead into place, by hand. I do not employ any of the bead-stringing devices that are available, because it does not allow me to place the knot closely by the holes on each side of the bead. Again, this is of particular importance when using beads of differing sizes, shapes or material (metal, glass, gemstone). I create my jewelry the time-honored traditional way, one bead at a time, and one knot at a time.
Beads reflect a tradition dating back to 3000 BC These beads were worn to promote good luck, and for protection from misfortune (the evil eye or malocchio). Archeological evidence suggests that concepts linking eyes and protective magic to beads evolved in western Asia and Africa, and were carried west and east with developing trade routes. The oldest eye beads made were drilled stones like agate and carnelian. 
I see both antique and contemporary beads as a link to the past through work that will last into the millennium. Beads and jewelry reflect where we are today, what we were, and who we will become. One can neither break nor ignore the thread of history, for like a strand of beads, the result would be chaos.
Wear your beads in good fortune!
Thanks,
Beadbear











