Hold On, Don’t Scrap It Yet!

Last Updated on Wednesday, 5 October 2011 02:34 Written by Start's Arts Thursday, 6 October 2011 02:34

Hold On, Don’t Scrap It Yet!

By Beverley Start, Polymer Clay Artist

October 5 2011

Sometimes I’ll be in the middle of a project and look up to see that my usable clay pile has been gobbled up by my scrap clay pile. With a little creativity and a lot of nece$$ity I found a few solutions. Here are a few of my ideas on how to turn scrap back into usable clay.

1. Roll it out and use it! – Scrap from any project can be turned into a brand new masterpiece just by putting it through the pasta machine a few times making sure to keep the lines of color in the same direction every time. What this will give you is a beautifully colored striped sheet of clay that can then be cookie cutter-ed, sliced, rolled, or molded in to new pieces. Check out some examples here.

2. Make grey. – Hunks of all-colored clay can be run through the pasta maker or food processor until it becomes a uniform shade of grey. Use it to make a sculpture which can then be cured and painted. Click here for an example.

3. Make black. – Old or leftover clay can be blended using powered black pigment (purchased from any craft store) and clay softener in a food processor. I just put little bits of each in until it’s the consistency and shade I need.

4. Use it as filler. – When making something that requires strength try using some old clay as filler. For example if I were making a picture frame I might make it from filler clay and then cover it with decorative clay. No one will see the inside.

5. Make tags or gift cards. – Sometimes when I roll a piece of scrap through the pasta maker I notice patches of beautifully swirled color and I’ll cookie cutter it out to use as a tag for a special gift. Click here for examples

I’m sure there are tons more ways to use up left over clay but these five are my staples.

Can you call your work Gold?

Last Updated on Monday, 19 September 2011 06:27 Written by John Atwell Rasmussen Monday, 19 September 2011 06:27

Jewelry Making Federal Regulations

Code of Federal Regulations

Title 16: Commercial Practices, Part 23 – Guides for the Jewelry, Precious Metals and Pewter Industries

This discussion will briefly discuss part of the above regulations, the entire Part 23 can be found online as the e-CFR™. This will not be the entire regulations, but a summary of the pertinent parts. For this particular discussion, I will limit the discussion to only those parts regarding metals. Future discussion will focus on gemstones and pearls.

These regulations are applicable to anyone who produces a product that is …”fabricated from precious metals (gold, silver and platinum group metals), precious metal alloys and their imitations.” Thus these can be construed to also include the precious metal clays or any plated or filled metals.

Gold must only be used to describe items that products that are composed throughout of an alloy of gold of at least 10 karat fineness. The gold regulations include definitions of what is Gold Plate, Gold Filled, Gold Electroplate and several other terms. The real cruxt is that the Artisan can not use the word Gold to describe the product made, unless it is composed of at least 10 karat gold content. The fineness of the Gold must also be included, the fineness can only refer to any component of least fineness. Thus a product made of two different finenesses must be called the least fine.

The term “Sterling Silver” is restricted to describe an industry product that is at least 925 parts per thousand silver. The alloying metal is not restricted to copper. The term “Coin Silver” can be used to describe a product that is at least 900 parts per thousand silver.

Platinum Group Metals include platinum, iridium, paladium, ruthenium, rhodium abn osmium. Platinum must be at least 950 parts per thousand platinum to be called platinum. This applies to all of the group metals.

Simply put, if your product does not entirely meet the minimum quality to be called gold, silver and/or platinum you can not use that term in any part of your name or description of the product. There are no exceptions for these regulations based on size or type of the jewelry producer. Those of us in the Artisan jewelry industry must follow these regulations.

Cabochons and Ring

Last Updated on Monday, 5 September 2011 06:39 Written by John Atwell Rasmussen Monday, 5 September 2011 06:38

On a visit last week at my local little rock shop, I was given an offer that I could not refuse.  They would give me a slab of Larimar and I could keep the rest after I cut them 3 oval cabochons.  I cut five cabochons, two of which fell into multiple pieces.  I salvaged one of the pieces and made a small half oval cab.  The remainder was so fractured, I made it into a freeform cabochon:

Before I made the cabochons (today), I had finished my commissioned ring for a geologist who works for an oil company that has many wells in Indonesia.  This man got some rough diamonds from a mine there.  I made him a bracelet featuring 7 of his diamonds.  This is a ring with another of the rough diamonds in a bezel setting on top of a map of the area where the diamonds are found.  The diamond actually is on top of the mine location.  The colored map is visible through clear resin that holds the bezel in place.

John